Andy Warhol once prophetically exclaimed that in the future everyone would have their “15 minutes of fame”. But beyond that 20th century-era prediction now anyone can create alternative forms of themselves (Avatars) which exist only in cyberspace and in addition to fame, this Avatar can gain fortune and a weird kind of eternal existence. The pioneer in achieving prominence and wealth from what some would consider a role-playing character is the man that The Los Angeles Times described as “the world’s first cyber-superstar” Jon Jacobs, i.e. NEVERDIE.

Jacobs gained his first national online notoriety in 2005 when he mortgaged his home to buy a virtual asteroid for $100,000, making it the most valuable virtual item ever sold at that time. The next day, he received an offer to sell the asteroid for $200,000, but he refused. Those seemingly “mad” moves turned out to be moves of “mad genius” as Jacobs turned that hunk of cyber-rock into Club NEVERDIE within the online 3D Entropia universe- a massive multi-player game in which people interact using avatars-ultimately becoming the first person to become a millionaire strictly from monies earned in virtual worlds. Sure the world was virtual, but as for the money? Well, that was very real.

About a year ago he blurred the line between gamer and game developer by launching ROCKtropia, an entire online virtual music world and planet in the 3D Entropia universe. ROCKtropia is highlighted by “Lemmy’s Castle” which was created in collaboration with heavy metal rock legend Lemmy Kilmister.

I caught up with Jacobs at SXSW while I was trolling around the ScreenBurn gaming room last month and saw the ROCKtropia booth. I was eager to follow-up and expand upon our brief conversation and NEVERDIE graciously accepted the offer for a podcast interview. What follows is a conversation about his past, his future and what it’s like to be incarcerated in a cyber-prison within a virtual world that he helped create.

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“Miller is as quirky and delightful as ever, treating the Southwest as a vast midden from which he plucks many odorous but tasty treasures. The fun, as usual, comes from watching Tom digest.”
- Larry McMurtry

Tom Miller

Tom Miller

Based out of Tucson, Arizona, Tom Miller has traveled the World, capturing its cultures, its people, its good, bad and ugly for Smithsonian, The New Yorker, Life, The New York Times and his critically acclaimed series of books. Perhaps best known for his incisive studies of the US/Mexico border and Latin America, he has a unique view of that strip of land separating the two nations. “Our southern frontier is not simply American on one side and Mexican on the other. It is a strip two thousand miles long and no more than twenty miles wide. It obeys its own laws and has its own outlaws, its own police officers and its own policy makers…It is a colony unto itself, long and narrow, ruled by two faraway powers.” Miller also has chronicled, among other things, murderous cacti, the Chimichanga and Jack Ruby’s kitchen sink.

Learn more about his literary output, which includes “On The Border”, “The Panama Hat Trail”, “Trading With The Enemy” and “The Revenge of The Saguaro” at http://www.tommillerbooks.com

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“I don’t call myself an artist, I just make things.”

Tom Jennings

Tom Jennings

Tom Jennings builds bridges between technology and art, and is currently on faculty with the Calarts Art+Technology Program. He’s a network pioneer: he created FidoNet, the first messaging and file networking system for BBS systems, was a Bay Area Internet services provider via The Little Garden, and was co-editor and publisher of Homocore. More information about Tom and his various projects at his website, World Power Systems, and at Wikipedia.

Tom Jennings photo by Jason Scott, published under a Creative Commons Attribute-Sharealike 2.0 license.

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Flatstock 29-Past, Present and Future of Poster Art

March 22, 2011

By David Whitman, Plutopia News Network I recently had the opportunity to talk to Geoff Peveto of The American Poster Institute (API) as he prepared for this year’s FLATSTOCK 29 at SXSW 2011. API is this really cool non-profit corporation dedicated to furthering public awareness and appreciation of posters as an art form. It is [...]

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Veronica Belmont at Plutopia 2011

March 21, 2011

Veronica Belmont took a tour of Plutopia 2011:

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Bruce Sterling at AMODA

March 12, 2011

Bruce Sterling recites a poem dedicated to the late Serbian poet Raša Livada at the Austin Museum of Digital Art’s 2011 digital showcase. Pismo by Bruce Sterling For Rasa Livada (1948-2007) Damp streets, a dark alley outside the garage, How many poets can one city bury? The full moon over Belgrade expects an eclipse. Gritty, [...]

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Plutopia Interview: David DeMaris aka DJ Dr. Strangevibe

March 10, 2011
Thumbnail image for Plutopia Interview: David DeMaris aka DJ Dr. Strangevibe

David DeMaris is a brilliant convergent renaissance man. By day he’s engaged in the design of VLSI (very large-scale integration) systems, but his interests also include nonlinear dynamics and oscillation phenomena in networks (applications to signal processing, pattern recognition, perceptual and cognitive modeling), scientific visualization, user interface design, usability, adaptive design methods, and algorithmic composition [...]

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Plutopia Interview: Orbotix Cofounder Ian Bernstein

March 9, 2011

We learned about Orbotix and its product, Sphero™, a smartphone-controlled robotic ball, when they signed on as a sponsor of Plutopia 2011. When we saw the video of Sphero™ in action (below), we just had to talk to the inventor — Ian Bernstein, CTO for the company, who created Sphero™ and founded the company with [...]

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Nullsleep: Post-Cyberpunk Wall of Noise

March 8, 2011

David Whitman of Plutopia News interviews Jeremiah Johnson, aka Nullsleep, about his art, described at his site as “combination of distorted synthpop, electro, and industrial produced with repurposed low-bit electronics.” Says Nullsleep, his kind of music with its networked fan base is “not something that would have been possible before we became a culture that [...]

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The Lee Ranaldo Interview

March 7, 2011

By David Whitman Recently I was fortunate to have the opportunity to interview Lee Ranaldo in anticipation of his appearance with Text of Light at Plutopia 2011-The Future of Play. His innovative fretwork in Sonic Youth helped set the template of sounds for indie rock and alternative bands worldwide. In Youth Ranaldo teamed up with [...]

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